Excellent article. While it focuses on scifi/fantasy/fandom, it’s very much applicable to the Pagan community. While there aren’t hundreds of hotel conventions for Pagans, we do have a few of them, and we have numerous festivals of various sizes. Harassment is often tolerated at these just as it is in fandom.
The day is going to come sooner rather than later where I will *not* participate in any event that does not have (and enforce) a safety/anti harassment policy
So, I wasn’t going to bother with a formal response about the events at ConQuesT. I’ve never been, I probably won’t be going either. Not just because of the most recent hot mess, but because overwhelmingly con culture is a hot mess. And yeah, some people are trying to fix it. But as I watch people attempt to defend white women sexually harassing men of color…I feel like we’ve hit a point that demands an honest conversation about what’s really happening to cons. It’s not the aging of fandom (young fans are created every day, and I promise you they love to get together), it’s not political correctness run amok (hi, taking off your pants and rubbing against people without consent isn’t okay, neither is referring to Black people as sexy chocolate and licking your lips), it’s a fundamental belief that marginalized people don’t have a right to be treated…
Music in ritual–and in specific, singing–is probably the most potent magic I know. I’m sitting here trying to get all the final prep done for Pantheacon, as I leave in just a few hours. Part of my prep for any event is warming my voice up because I know how crucial it is to be able to have a strong voice to anchor the chanting. And when I travel and teach, I’m singing for days as I lead workshops and rituals, so I need that prep.
On Monday I’ll be posting on Patheos about creativity and obsession, and specifically referencing an event I decorated with a fairytale theme. I thought I’d put up a few images from that event. I’d love to host a masquerade ball in the Chicagoland/Milwaukee area; I certainly have the decor for it!
I’m very excited to announce the release of the Pagan Leadership Anthology. Taylor Ellwood invited me to co-edit this anthology with him almost two years ago, and it has finally come to fruition! Helping grow more resources for Pagan leaders is a passion of mine, and this anthology is priceless for all the collected wisdom it offers from many different leaders, many different traditions, and many different perspectives. Continue reading →
For those of you attending Pantheacon in San Jose, or Convocation in Detroit, these are the places you are likely to find me. I have my specific workshops, rituals, and book signings that I’m offering in bold, and in italic I’ve highlighted any workshops that are focused on a project I’m involved in, such as a book launch for an anthology.
This is part 2 of my post on using singing, toning, chanting, and other ecstatic techniques for aspecting and trance possession in ritual. You’re really going to want to read Part 1, and you’ll also likely want to read this post on the theology/function of aspecting and trance possession.
Using ecstatic techniques of singing, dancing, and drumming to draw down deities or get possessed by spirits is both an old ritual technology and a new one. It’s been used for thousands of years and you see this in the tribal customs of many religions that have continued on to the present day.
It’s a technique that also has become used more and more in modern Pagan groups, though many Pagan groups have had to rediscover it since certain traditions didn’t seem to use any ecstatic processes for this ritual function. Thus, as these techniques are rediscovered, the old is new again. However, it means we have to re-look at these techniques and look at what will work for us in our own traditions and rituals, and what won’t. And it also serves to burrow down a bit into why it works.