Music, Magic, and Life on the Road

DSC03399My posts have been sporadic, and I apologize for that. As a writer, it’s really tough when I’m not able to do that writing thing. That being said, my past months have been chock full of new experiences that will give me writing fodder for months (and years) to come. I’ve been traveling and teaching at different festivals and events, and recently I’ve really been upping my game as a musician and connecting more with other Pagan musicians.

In fact, I am looking to host regular chanting/music circles in the southeast Wisconsin area, or within a couple of hours drive. (Interested? Contact me at Shaunaaura (at) gmail (dot) com) And I have it in mind to formally create some kind of trancey Pagan band/choir thing. I’m also looking at buying a few additional musical instruments slowly as I can afford them, and working to learn to play more of them. Or at least, get better at it. Frame drum, bodhran, more gongs..

This past week at Summerland Spirit Fest in Wisconsin, I learned a few things. I know a lot more about music than I thought, and my voice is a lot better than I thought. I also learned that I have so freaking much to learn about music, but it really is calling to me.

Ultimately, I’d love to compose and create music with others. A band, a choir…not sure what to call it. And yeah–not that I needed yet another creative project, but I feel that the work I’ve been doing has been building up to this, I just needed a little bit of a push from some experienced musicians to tell me I have the chops to pull it off.

So–special thanks to singer/songwriter/guitarist Brian Henke for pushing me to take that next step and encouraging me…and for dragging me up on stage to sing backup vocals for his most excellent Raven King song.

And thanks also to Tuatha Dea; I’ve been on the festival circuit for a while with them and we’ve interwoven on occasion with them supporting my rituals with drumming, but it was great to get a peek into the creative process. And Kathy–many thanks to you for saving my voice with your “Entertainer’s Secret” throat spray. My voice was about toast by the last night of the festival and I had to lead a chanting-intensive women’s ritual, then lead the energy chant for the combined attendees of the men’s and women’s ritual when we rejoined after. I caught the festival crud and the damp nights were not kind to my throat, but I learned another singer pro-tip in the form of the throat spray. Just ordered my own bottle for emergencies, too.

What I really loved the most about hanging out with the musicians at this festival was the spirit of collaboration. The other musicians were willing to answer my newbie questions about the various musical techniques they were employing or their processes. The music I know for leading chanting is different from performing songs, so I was working to be a sponge and absorb as much as I could. In fact, the musicians remind me a lot of the community of romance novel authors; it’s also very collaborative and supportive. With the musicians, there’s not really a sense of competition, even though each musician depends on CD sales to get paid for their time.

Instead, they’re looking for how to support one another and help, including helping those who are just stepping into musical work. I had offers of all sorts of help including folks from Murphy’s Midnight Rounders that agreed to teach me a bit about sound engineering theory so I can better use applications like Audacity to record and edit my own work.

One of my favorite moments of the festival was when a bunch of the musicians were just jamming. The Night Travelers had to leave before the fest was done (I imagine they had another gig to get to.) The banjo player for Night Travelers is rather famous as a banjo player, and I can see why. The guy has fingers that just fly and he’s inexhaustible. So a bunch of the musicians were all hanging out in the main lodge/hall of the festival, jamming until the wee hours. I finally had to bail at 2 or 3 in the morning since I had to be up and teaching in the morning, but it was pretty cool to experience. Other musicians were joining in with guitar, and I joined in with some harmonies.

And there were lots of other musicians collaborating as the fest went on. Beltana Spellsinger, Ginger Ackley, and Mel Dalton did a concert together, and pretty much all the musicians did some kind of collaboration as the week went on. I also got to hear musicians composing and working out new tunes and debuting them, which was pretty spiffy.

Some of the songs were exactly what I needed to hear in that moment.

I left Summerland Spirit Fest with my cup absolutely full. In my workshops, I had people asking great questions and diving into the singing/chanting techniques, and people working to support that in the rituals I led. In fact, right now it’s a little bittersweet since my brain is buzzing with things I want to write about, music I want to sing…and I instead am focusing on managing my next travel engagements.

Right now I’m very aware that I live in quite a liminal space. I’m an introvert, and all this travel has been really hard on me. It’s affecting my body, mind, and spirit health. And all the traveling means I have almost no time at all for writing. On the other hand, the work I do is by its nature collaborative and requires connecting and networking with new people. Our voices can’t harmonize if we aren’t in the same place together. So I both crave and dread the travel and the connection, and I’m working to hold that paradox.

I’m also in the liminal space of having so many creative projects I want to work on, and only so many hours in the day. But I’ve been seeking joy for the past years, and I’m getting closer to it. Music is part of the fire that lights me up, that’s for sure.

In the coming months as my tour season winds down (August is Texas, Kansas, Missouri, and Memphis, September is Virginia and New York and Ohio and maybe Indiana) I’m going to be looking for ways I can better balance some of this. I’m looking to plan a lot less travel for next year if I can find ways to bring in enough income to keep me afloat, and spend a lot more time writing, and also practicing as a musician and connecting to other musicians.

In short–I like my alone time, and I have a desperate need to hibernate. I need my focus time to write and create. But, I also love that collaborative nature of music and ritual. I can’t sing harmony by myself. So I’m out here actively looking for musicians (or people who want to become musicians) who are willing to devote the kind of time and energy to really build skill and make the music manifest.

I’m sure I’ll be writing about some of this more coherently when I’m not recovering from one trip and prepping for the next, but I’m trying my best to at least get a few thoughts down as I go along. More magic, more music. More time. Gods, for more time.

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