I was taught that setting the bone is a crucial part of being a priest/ess, a leader. That sometimes we have to hurt in order to heal. And I was also taught that truth often hurts. We couch so many things in white lies to salve someone’s feelings, to soothe it over, to make it hurt less. But those attempts to ease pain in the short term often cause longer term pain. In essence–sometimes the deepest form of compassion is to say the hard thing. It hurts in the short term, but it heals in the long term.
For those of you attending Pantheacon in San Jose, or Convocation in Detroit, these are the places you are likely to find me. I have my specific workshops, rituals, and book signings that I’m offering in bold, and in italic I’ve highlighted any workshops that are focused on a project I’m involved in, such as a book launch for an anthology.
I reblog this with some recommendations and some caveats. This post is an excellent overview of many of the red flags of predators within the Pagan community. This is something I’ve written about and talked about at length and I think it’s important for more people to be aware of these dangerous traits.
Here’s one caveat: Many of these red flags are not, on their own, problematic. It’s the constellation of red flags that are the issue, just as with so many other things. The author brings up that sustained eye contact and charismatic behavior is a predatory behavior, and that’s not exactly true; not on its own. So remember–just because some Pagan you know does some of these doesn’t automatically mean they are a predator. Use discernment.
I have been woefully remiss in posting here. It’s probably not much of a surprise to many of you, but I have so many projects going on I tend to get overcommitted. In fact, I’m starting to call 2015 the year of digging out of my overcommitments and making my life more organized and sustainable.
While I haven’t been posting here, I have been doing a lot of writing. I thought I’d do a quick sum-up of some of the articles I’ve written that are available online, and a few other projects I’ve been up to and ways to keep posted on things I’ve written.
The most current issue of Circle Magazine is themed entirely on rituals. It’s a great read with lots of tips and tools for ritual facilitators. My own article, Ritual Facilitation: Designing Impactful Rituals, ended up being way too long for the magazine, and so I pulled out a section of it and just created an entire article from that piece. Thus, this article will perhaps have more context if you read the article in the magazine. Below I focus on the specifics of designing processes and how this connects to the design of ritual.
In many of my articles on ritual facilitation I talk about designing rituals rather than writing them; design means to plan. I also talk a lot about the flow of rituals and how each piece of a ritual layers and prepares people for the next piece. What might surprise you is that some of my own background as a web designer and usability consultant impacts how I approach designing rituals.
Well, the lovely folks at Paganicon sure are going to keep me busy! I’ll be leading the main ritual on Friday night as well as showing art in the art show, facilitating three workshops, and sitting on three panels. Plus a book signing. I did tell them to feel free to keep me busy…
Here’s my schedule, for those who are interested. I’m making a note of several workshops I’d *love* to attend if I weren’t teaching at the same time. Oh, for a Timeturner.
As “Pagan Conference Season” draws near, I have gotten more and more invites to individual workshops and programming in hospitality suites at the two upcoming conferences, Pantheacon and ConVocation. I went through the process of figuring out my most likely schedule.
Those of us who attend such events also know the amusing axioms of any conference. We forget to leave time for things like eating, we wish there was something stronger than caffeine because we didn’t leave enough time for sleep, and we wish for the ability to bilocate in order to attend all the programming we’d like to go to. In fact, there’s one time slot where I could really use four of me.
Sadly, my magic is not that potent.
This is part two of my article on Warding in Ritual. You’ll want to read part one for this to make sense. However–having written on the topic at some length, I think I can sum up my approach to warding in ritual as “the things I do to keep participants safe in ritual.”
Here are more questions that have been posed to the panel.
I already talked a bit about “mundane” safety, which in my work is synonymous with warding. But it would serve to go into a few more details here. Sometimes people aren’t necessarily interested in taking speaking ritual roles but might be available to help manage the door, help people with a disability, or do other work like making sure there’s kleenex or water available. That’s part of the safety of the ritual space–accommodating people’s physical needs–and thus, it’s part of warding.
I’ve been invited to be a panelist on the topic of Warding in Ritual at Pantheacon, which is the largest Pagan conference and takes place in a few weeks in San Jose, California. The folks organizing the panel worked to create an outline of questions and topics, which is very helpful for us panelists! Since I’m thinking about all of these questions, I thought I’d work up my responses as a blog post. In fact, it’s a 2-parter, because (as I tend to) I went into some depth.
Part of why I want to think about these questions a bit is because I’m a bit of the “devil’s advocate” on the panel. Meaning, I don’t really approach warding as a magical act. For me, it’s very pragmatic. In fact, I don’t even really call it warding. And yet, that piece of what I do in a ritual is still incredibly important and is still the foundation of an effective ritual.
I’m excited to announce that Calling to Our Ancestors, an anthology of devotional work with ancestors, has been released. I have an essay in it called, “Ancestors and Descendants: Building Connections.
Below is an excerpt, and a little more info about the anthology.