My posts have been sporadic, and I apologize for that. As a writer, it’s really tough when I’m not able to do that writing thing. That being said, my past months have been chock full of new experiences that will give me writing fodder for months (and years) to come. I’ve been traveling and teaching at different festivals and events, and recently I’ve really been upping my game as a musician and connecting more with other Pagan musicians. Continue reading
As I’ll be teaching a number of workshops on ritual facilitation at Pantheacon, ConVocation, and Paganicon, I thought I’d offer up one of my articles on leading rituals that is included in my book, Ritual Facilitation.
I’ve also created a Facebook group with the intention of discussing and teaching techniques for leading more potent rituals. Feel free to join up if you like!
Raising the Sacred Fire: How to Build and Move Energy in Ritual
Together we are singing, moving, dancing, chanting, and drumming around the fire in the center of the circle. The energy builds and slows then rises up again. I move the drum beat, and the drum beat moves me. We draw closer; I look into the firelit eyes of people around me and we smile as we sing. We drop the chant down to a whisper, then bring it back up again. Our song is a prayer for transformation, a prayer for our individual gifts to be transformed on Brigid’s Forge into their highest potential. I am singing for my gift, and for the gifts of everyone there. Our prayer is singing, movement, rhythm, and our shared intention. The chant moves into a tone that rises and falls like a fire at the bellows until we hold the silence together.
So there’s more that needs to be discussed on the sex, ethics, harassment, predators, abuse, and consent front. There’s the #yesallwomen movement, and there are a lot of conversations happening. I’ve written more blog posts on the topic–but I’ll be honest, I haven’t published them. Why?
Well…I know I tend to go raw with my posts, but the posts I wrote may be too raw. I’m not sure if I want to go there. Maybe I’m not sure I want to reveal that much, or be that much of a bummer. Maybe I’m sick of triggering people.
My own 5-10-year plan is to have land of my own outside of Chicago; a seminary/monastery/temple/farm/cooperative living space. I want to help offer leadership training to Pagans who are looking for that, as well as have self-sustaining land.
But there’s a few challenges to building that infrastructure, and to fundraising for that. Some challenges are easier to overcome than others.
One of my great regrets as a Pagan organizer is that when I run an event, I’m often asking people to present or perform for free. Granted–I’m often presenting for free myself. But I still feel that people offering up a professional skill should be paid for their work.
Yet, I know how much most regular Pagan events pull in financially. I know that an event without a big name will probably bring in just enough to pay expenses.
On the other hand, I meet a lot of people, including Pagan organizers, that assume that any Pagan should offer their skills and talents for free, and I’m not ok with that. But how do we negotiate the gray area on this?
I’d be very interested in hearing about other fundraising options that have worked for you and your group in the past–perhaps I’ll feature those ideas in a future blog post.
Should Pagan teachers charge? How are we going to pay for all the Pagan events and initiatives out there? I see those questions come up a lot. I also see some Pagans viciously attack anyone who charges for classes or events.
Context is important, and I’d offer that there’s a range of what we mean when we say, charging for classes and services.
I charge for what I do. I travel and teach, I host events. There’s a cost–a hard cost (venue rental, gas money) and a soft cost (time).
I charge for readings too. But, I also do rather a lot for free. In fact, most of the time even when I’m charging, I’d say I ultimately end up at a financial loss.