This is part 2 of my post on using singing, toning, chanting, and other ecstatic techniques for aspecting and trance possession in ritual. You’re really going to want to read Part 1, and you’ll also likely want to read this post on the theology/function of aspecting and trance possession.
Using ecstatic techniques of singing, dancing, and drumming to draw down deities or get possessed by spirits is both an old ritual technology and a new one. It’s been used for thousands of years and you see this in the tribal customs of many religions that have continued on to the present day.
It’s a technique that also has become used more and more in modern Pagan groups, though many Pagan groups have had to rediscover it since certain traditions didn’t seem to use any ecstatic processes for this ritual function. Thus, as these techniques are rediscovered, the old is new again. However, it means we have to re-look at these techniques and look at what will work for us in our own traditions and rituals, and what won’t. And it also serves to burrow down a bit into why it works.
I’ve had a few questions lately related to aspecting and trance possession, so I thought I’d do another couple of posts on the topic, specifically on how to approach aspecting/drawing down when you’re a pantheist, atheist, or generally working with deities as archetypes instead of as polytheistic gods. I also want to get into some of the ecstatic trance techniques I use and how those can be used with aspecting and drawing down.