Music, Magic, and Life on the Road

DSC03399My posts have been sporadic, and I apologize for that. As a writer, it’s really tough when I’m not able to do that writing thing. That being said, my past months have been chock full of new experiences that will give me writing fodder for months (and years) to come. I’ve been traveling and teaching at different festivals and events, and recently I’ve really been upping my game as a musician and connecting more with other Pagan musicians. Continue reading

Boredom and Side Conversations in Ritual

DSC02414Another common question I get from people who lead rituals is, “How do you get people to stop having side conversations in ritual?” Truth is, I don’t often have this problem, so it took me a bit to figure out some suggestions I could offer. However, then I went back to some of my early training in rituals and remembered that most of the logistical problems in any ritual (or other facilitated activity) are resolved by skillful setup at the beginning. There are a lot of common ritual problems I don’t run into because I always start with a pre-ritual talk.
However, there are a number of different techniques that can help with unwanted side conversations and other related issues in rituals. The core of this is that you’re trying to get a group of people to focus.
There are a few major tips to help get your group to focus and not be distracted with side conversations.

Singing: Discovering the Magic of Music

DSC03320Music in ritual–and in specific, singing–is probably the most potent magic I know. I’m sitting here trying to get all the final prep done for Pantheacon, as I leave in just a few hours. Part of my prep for any event is warming my voice up because I know how crucial it is to be able to have a strong voice to anchor the chanting. And when I travel and teach, I’m singing for days as I lead workshops and rituals, so I need that prep.

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Chanting, Trancing, and Ecstatic Techniques for Aspecting Part 2

shutterstock_78222514This is part 2 of my post on using singing, toning, chanting, and other ecstatic techniques for aspecting and trance possession in ritual. You’re really going to want to read Part 1, and you’ll also likely want to read this post on the theology/function of aspecting and trance possession.

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Chanting, Trancing, and Ecstatic Techniques for Aspecting Part 1

shutterstock_76776415Using ecstatic techniques of singing, dancing, and drumming to draw down deities or get possessed by spirits¬†is both an old ritual technology and a new one. It’s been used for thousands of years and you see this in the tribal customs of many religions that have continued on to the present day.

It’s a technique that also has become used more and more in modern Pagan groups, though many Pagan groups have had to rediscover it since certain traditions didn’t seem to use any ecstatic processes for this ritual function. Thus, as these techniques are rediscovered, the old is new again. However, it means we have to re-look at these techniques and look at what will work for us in our own traditions and rituals, and what won’t. And it also serves to burrow down a bit into why it works.

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Aspecting, Trance Possession, and Theology

680723_xlI’ve had a few questions lately related to aspecting and trance possession, so I thought I’d do another couple of posts on the topic, specifically on how to approach aspecting/drawing down when you’re a pantheist, atheist, or generally working with deities as archetypes instead of as polytheistic gods. I also want to get into some of the ecstatic trance techniques I use and how those can be used with aspecting and drawing down.

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